Australia’s Queer Screen Mardi Gras Film Festival, in its second collaboration with Marché du Film’s ‘Goes to Cannes’ showcase division, will present four projects and completed films, all with global sales, We are aiming for distribution, additional financing and festival selections.
Five projects proposed on May 18 will compete for the first 10,000 euros ($10,700) of the Cannes Prize.
“We have chosen to curate a selection that highlights Australian talent while encompassing a rich tapestry of stories and identities,” festival director Lisa Rose says of her program. “The Gay, Lesbian, Pansexual, Bisexual, and Transgender Experience.”
For example, “From All Sides” fearlessly tackles queer sexuality, “which is unusual for a film that originated in Western Sydney,” says Rose, who also directed “Strange Creatures” and cites the story of two brothers who identify as pansexual. Point of view is rarely central in movies. ”
Australia’s third feature, Heart of the Man, is a novel take, “exploring the intersection of Indigenous and queer identity, themes rarely explored in Australian narrative films,” the film says. festival organizers said.
As a great example of a queer perspective from another part of the world, Arms of a Man (Sabar Bonda), an ambitious Indo-British-French co-production, depicts an urbanite as a young farmer. It depicts a story about falling in love with someone. He is grieving for his father in rural India.
Inspired by award-winning writer and director Rohan Parshuram’s own experiences, the project was developed as part of the Venice Biennale College Cinema, and is part of the Film London Production Finance Market 2021, Film Bazaar’s It attracted the attention of the industry when it was first proposed at the NFDC Co-Production Market 2022, Venice Production Bridge. 2023.
From the US, actor and technical director Lauren Neal came out on top with “Under the Influencer” and was named Best New Artist at LA Outfest 2020 for “Healing Me.” Producer Jill Bennett says the picture, created by an entirely queer, all-female core creative team, is “a test of Bechdel, Vito Russo, and DuVernay, questioning the role of art, ownership, and identity in contemporary culture.” “I cleared it without difficulty.”
“Produced at a fraction of the cost of the average indie production, it examines the classic artist-mentor relationship, only this relationship involves two women with a racial power differential. ” she added.
Rose, a long-time champion of queer talent development and support through Queer Screen, Australia’s largest LGBTIQ+ cultural venture, is confident that Goes at Cannes this year will similarly spotlight her organization and selected filmmaking team. I hope you will start collecting them.
“Several projects last year brought tangible benefits, winning deals and festival selections as a result of their participation. In addition, three teams that directly participated made their debut at the Marché du Film and received a “I gained an extraordinary professional development experience that went beyond the projects that were presented to me,” she said.
Here’s an overview of this year’s five titles:
“Arms of a Man” (“Sabar Bonda”, Rohan Parashuram Kanawade, India/UK/France)
The semi-autobiographical story by Kanawade (who won the Satyajit Ray Short Film Award at the London Indian Film Festival for U Ushacha) focuses on Anand, a city-dweller who spends 10 days in mourning in the rugged countryside of his late father. guess. In his ancestral village, he forms a bond with his unmarried childhood friend, an itinerant goatherd. Shot in Marathi, the film was produced by Neeraj Churi of UK-based Lotus Visual Productions in collaboration with India’s Taran Tantra Telefilms, Dark Stories, Bridge Postworks, Moonweave , co-produced with France’s Alsam International. Delivery is scheduled for July.
“From All Sides” (Bina Bhattacharya, Australia)
The story follows a multiracial bisexual couple in an open relationship and their teenage children as they navigate work, school, sex, friendships, romance, and more in a Sydney suburb, all while being harassed from all sides. Focus on being there. “I’m proud to have created a cutting-edge film that features characters who are at once sympathetic and questionable, who provoke conversation and challenge people,” Bhattacharya says of his feature debut. . In post-production, Alexander Magee and co-producer Daisy Montalvo of Gem de la Femme Pictures will produce the project. Screen Inc. holds distribution rights in Australia.
Presented from all sides: Gemme de la femme Pictures
“Heart of the Man” (David Cook, Australia)
In his debut film as a writer and director, actor Cooke stars as a young boxing prodigy (Australia) who is forced to come to terms with his sexuality, conflicted between fulfilling his father’s dreams and becoming his own man. The main character is popular actor Parker Little. “This film was very important to me in making because it touched on many of my personal experiences growing up. I wanted to make something that resonated with people on a deeper level.” , says the filmmaker, who stars in the film alongside Bronte Pictures’ Blake Northfield and is also a producer at New Dream Productions. The film was released by Australian Screen in February last year and received positive reviews.
“Heart of the Man” Presented by: New Dream Productions
“Strange Creatures” (Henry Boffin, Australia)
From the creators of Metro Sexual, it’s Australia’s first comedy with an all-LGBTQI+ protagonist. Hum-Drum Comedy actor and producer Riley Nottingham says the darkly humorous road trip “examines how toxic masculinity develops in different microcosms.” Two estranged brothers from different worlds are forced to confront their own weaknesses while reuniting to scatter the ashes of their recently deceased mother. Rachel Forbes is a producer in Nottingham. Julia Adams and Gal Greenspan will serve as executive producers. Bonsai Films and Nine Network Australia own Australian/New Zealand rights.
Strange Creatures Provided by: Humdrum Comedy
“Under the Influencer” (Bryn Woznicki, Lauren Neal, USA)
A cutting-edge, technology-driven thriller drama about a struggling digital artist whose work is appropriated by a popular art curator. As part of his revenge, the artist plans a psychological showdown against his exploitative leader. Woznicki will direct alongside technical director, editor and lead actor Neil, with Jill Bennett and Katie Hall serving as producers. The picture, which is in post-production, is the first to be released by Fairplay Films, the new banner of the “Under the Influencers” team, which focuses on high-quality, low-budget content for niche audiences. It’s the title.
“Under the Influencer” provided by Fairplay Films
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