The A24 has released the official trailer for Eddington. Eddington is the latest feature of filmmaker Ali Astor, whose past works include heredity, Midsomer, which Bo fears. After creating a wave with a divisive premiere at this year’s Cannes Film Festival, the trailer looks more broadly at what Aster has been brewing this modern west. Look up and jump further down.
Set in the volatile summer of 2020, the film unfolds in a fictional town in Eddington, New Mexico. Joaquin Phoenix stars as an anti-mask sheriff running against someone (Pedro Pascal) who embraces public health guidelines in one of the most politically and socially disturbed moments in recent memory. The trailer brings viewers straight back to the chaos of the time, ramping up six feet of social distancing, George Floyd’s protests and online plot.
The trailer features desert standoffs, gunfights, and the enigmatic corporate jet floating above town, and ensemble casts of Emma Stone, Austin Butler, Luke Grimes, Dald Leoconnell, Michael Ward, Eilee Hovere, Clifton Collins Jr. and William Bellow.
Speaking at a press conference at the Cannes Film Festival, Astor explained his thinking during the writing process.
“I wrote this film in a state of fear and anxiety. I wanted to bring back and show how it feels to live in a world where no one can agree to be real anymore.”
Pascal looked back at the film’s subject and said:
“It’s very scary to be involved in a film that speaks to issues like this… I felt like (Aster) wrote that that lockdown experience is our worst fear, as it is already a destructive society.
The film has so far split critics – perhaps not surprising, given the subject matter and the increasingly bold style of Astor. The Independent praises it as “Aster’s most entertaining film ever,” and praises it for “taking advantage of the expanding and changing cast to dot a 150-minute runtime in well-thinking comic details and visual rewards.” At the other end of the spectrum, the guardian criticized the lack of “drama, tension, or an accumulation of intellectual revelation,” adding, “What we say we didn’t know yet is waiting for Astor to recover his directorial form.”
It remains to be seen whether Eddington appears as a provocative satire or an overly expanded movement. But with Aster at the helm, there is a possibility of bold and very different kinds of covid age calculations.
A wider audience will know when Eddington was opened at US cinemas on July 18th and Australia cinemas on August 21st.
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